More specially, I set out to debunk three design falsehoods I see preventing outside professionals from seeing the recent graphic design being created in the New China without Western misinterpretations. They are: 1) Modernization Does Not Necessarily Equal Westernization, 2) Modern Graphic Design is a Western Import to the New China, and 3) Imitating is More than the Best Form of Flattery. By dispelling these stereotypes, I hope to reveal how the Chinese designers’ entry into the world market is giving them a new sense of global citizenry, as well as local identity. Their visual voices are being heard in the larger globalization narrative and, thus I believe, are enriching graphic design worldwide.













